Portál AbcLinuxu, 23. října 2025 01:02
Ještě by to chtělo znát rozdíl mezi amatérským a profesionálním. Ale zas tak složité věci vytahovat nechci.To není tak složité, profesionál je ten, kdo byl podpisem smlouvy s nahrávací značkou přivítán do stroje... Amatéři jsou všichni ostatní...
22.7.2022 02:00
Člověk z Horní Dolní
| blog: blbeczhornidolni
22.7.2022 10:05
Člověk z Horní Dolní
| blog: blbeczhornidolni
rap neni hudbaTak rap je specifický styl poezie, ne? Ale recitace je často podbarvená hudbou, takže to asi souvisí...
Control Machete - BanderaTakze Banderovce tu mame! A pak ze se Radovan pletl...
Ba ne, v podstate s hiphopem jsem skoncil prave v dobe Artillería Pesada. Uz jsem na to byl moc stary jester.
22.7.2022 19:23
Člověk z Horní Dolní
| blog: blbeczhornidolni
22.7.2022 21:31
Člověk z Horní Dolní
| blog: blbeczhornidolni
Jop no. Google tu pro nekoho byl od pradavna a je pro nej slovo svate a pro nekoho prisel az ve druhe polovine jeho zivota no. 
No ale co je DMC predpokladam ze vis.
22.7.2022 21:45
Člověk z Horní Dolní
| blog: blbeczhornidolni
22.7.2022 09:09
Petr Tomášek | skóre: 39
| blog: Vejšplechty
23.7.2022 07:25
Petr Tomášek | skóre: 39
| blog: Vejšplechty
30.7.2022 15:11
Gréta | skóre: 37
| blog: Grétin blogísek
| 🇮🇱==❤️ , 🇵🇸==💩 , 🇪🇺==☭
je jako dát dohromady trash metal a dechovku... LOL
to je skoro to samý ale hele :O :D ;D ;D
22.7.2022 21:31
Člověk z Horní Dolní
| blog: blbeczhornidolni
To netusim. Bol to totiz pokus o fakt.Ta! Perfect!
22.7.2022 01:05
22.7.2022 18:56
22.7.2022 11:23
22.7.2022 21:33
24.7.2022 19:55
24.7.2022 20:02
http:// – opravil jsem.
radia Dixie
No to mě poser na holý záda. Bílý dům překrytý vlajkou Konfederace je docela chucpe. (Veselé čtení a něco aktuálního k tomu.)
Ale tak v jihovýchodní Asii pro změnu frčí trička s Hitlerem.
Mnoho věcí není zakázaných, ale je v rozporu s řekněme dobrými mravy. To je ostatně častý argument odpůrců souvisejících zákazů, že dotyčný člověk aspoň odkryje karty a ví se, co je zač. Tož tak jsem přesně v tomto duchu věc uvedl do souvislostí.
Že se k takovému projektu někdo cíleně hlásí, je známkou hloupého hezky česky edgelordství anebo totálního zmrdství.
Netvrdím, že symboly Konfederace mají být zakázány; to se mělo stát během Rekonstrukce před 150 lety, kdy neproběhly důsledné procesy se separatistickými reakčními zrádci válčícími za zachování otrokářské aristokracie a herrenvolk společnosti (ostatně, kde se ten Hitler inspiroval?).
Ale to jak se z Tibetu dělá ráj na zemi pošlapaný čínským komoušem, to je taky hezká pohádka. Je to strašná prdel světa a v té době tam byla středověká náboženská diktatura a zřejmě tam bylo i to otroctví ale to už dnes asi nikdo nebude chtít vytahovat.
To je úplně přesně ta propaganda Čínské komunistické strany, možná si to ani neuvědomuješ.
Za prvé, historky o „osvobození od feudalismu a otrokářství“ si Čína vymyslela až dodatečně, původně okupaci Tibetu ospravedlňovali záchranou před britským imperialismem (Britové se tam skutečně cpali).
Za druhé, 13. dalajláma na začátku století zemi reformoval, tamní podoba nevolnictví přetrvávala už jen zřídka v odlehlých regionech. Tibet společensky na tu dobu nebyl nijak zvlášť výjimečný. Tím spíš, když si uvědomíme, že třeba o brutálním bhútánském otrokářství zdaleka tak slyšet není (bodejť, není to takový terč čínské státní propagandy). Mezitím v českých zemích byla do roku 1918 šlechta, církev, císařpán,… ženy byly občany druhé kategorie do roku 1950, kdy je zrovnoprávnili až bolševici (ale ani to neospravedlňuje jejich zdejší puč).
Za třetí, Tibet je nesmírně bohatý na nerostné bohatství včetně ropy. To je druhá rovina té čínské propagandy: šířením (lživých) představ o tibetské společnosti odvádí pozornost od toho, jak to tam ČLR v synergii s globálním kapitálem plundruje.
Nic není černobílé. Ani Dixie.
Zrovna Dixie je tak bílý, až to hezké není.
Ale tož tak jsou tací, kteří ve zdejším prostředí nevidí ani nácky jako černobílé – a ilustrují to esesáckými insigniemi.
To je úplně přesně ta propaganda Čínské komunistické strany, možná si to ani neuvědomuješ.Byl by prosim zdroj? Jako odkojenec vychodniho, ale i zapadniho bloku v Evrope v 70s/80s jsem si nikdy nevsim, ze by tohle nekdo nejak zvlaste hlasite tlacil. Mam na mysli Evropu, ne Americany. Ti toho napindaj stejne jak Rogozin.
Zdroj čeho?
Přímo na Wikipedii je stránka:
The serfdom in Tibet controversy is a prolonged public disagreement over the extent and nature of serfdom in Tibet prior to the annexation of Tibet into the People's Republic of China (PRC) in 1951. The debate is political in nature, with some arguing that the ultimate goal on the Chinese side is to legitimize Chinese control of the territory now known as the Tibet Autonomous Region or Xizang Autonomous Region, […]
Chinese government claims commonly portray Tibet from 1912 to 1951 as a feudal society and both the 13th and 14th Dalai Lamas as slave owners. […]
Nevím, jak se k tomu dostal PepaSFI. Vlastně mě to trochu překvapilo, protože prakticky slovo od slova stejné věci čítám od extrémně online hrstky anglicky píšících fanoušků Čínské komunistické strany. Jsou to takové ideologicky gramotnější obdoby tady SKK a Radovana.
Protože se s nimi občas dohaduji (blésmrt), četl jsem toho víc než jen tu Wikipedii, projížděl jsem i zdroje a tak.
Co se konkrétních příkladů propagandy týče, zrovna nedávno jsem viděl třeba na jedněch komunitních stránkách o dokumentech: profesionálně udělaný film o „tibetské feudální společnosti“, lokalizovaný do „západních“ jazyků – akorát se mi od pohledu nepozdávala vazba na čínskou obdobu Russia Today… a na začátku závěrečných titulků poděkování Straně. Na TyTrubko to určitě půjde najít.
Byla to stejná prdel světa jako je ostatně tam kolem na některých místech dodnes. Ovšem byla to jejich prdel která mohla jít svou cestou, možná lepší, možná horší a nikdo jim tam nemá co se roztahovat.To mi zní, jakože s vyvěšovači vlajek alespoň v tomto ohledu nejsi ve sporu..?
A jak dlouho se na to chceš vymlouvat? A máme se podobně my vymlouvat na to, že jsme tu měli čtyřicet let komunismus/socialismus, předtím Hitlera, (chvíli vlastní demokracii) a předtím různé feudalismy a cizí vlivy? Stejně tak spousta jiných, dnes úspěšných, států, které si v nepříliš dávné minulosti prošly různými těžkými obdobími (ať už cizí nebo i vlastní vinou)…
Za prvé, je-li dítě ve 12 letech nahnáno do fabriky nebo na pole, co by se jinak v tom věku naučilo ve škole, už jen tak nedožene – krom toho, že by to šlo použít jako analogie (s výhradami), je to i praxe v reálném světě, když takových dětí jsou v té které zemi miliony. Koneckonců se s tím potýkáme i v Česku s jeho tristní úrovní školství mezi zeměmi OECD.
Za druhé, nechme tedy ty národy a pronárody, ať se z toho samy vzpamatují. Sám František často píše o mezinárodním obchodu, clech a tarifech. Tak by to skutečně bylo bývalo mohlo fungovat podle dohod z Bretton Woods – nebyl bych nutně proti – jenže ani ty nikdy nebyly zcela naplněny a tenhle systém byl prakticky úplně nahrazen neoliberálními poměry, které už kritizují i uvnitř Mezinárodního měnového fondu (Neoliberalism: Oversold?).
Ani jsem moc nečekal, že dostanu odpověď na otázku:
A jak dlouho se na to chceš vymlouvat?
Beru to tedy tak, že na jakési křivdy minulosti, kde se ti to hodí, se budeš vymlouvat pořád, zatímco jiné budeš vesele ignorovat.
Beru to tedy tak, že ve 12 letech, ne-li dříve, jsi prožil čertvíco, pročež se ti nedostatečně vyvinuly kognitivní funkce.
Nebo je to nějaká pfilosofická úchylka popírající kauzalitu.
A máme se podobně my vymlouvat na to, že jsme tu měli čtyřicet let komunismus/socialismus, předtím Hitlera, (chvíli vlastní demokracii) a předtím různé feudalismy a cizí vlivy?K jiným zemím se vyjadřovat nebudu, ale rád bych upozornil že v českém případě je takovéto vymlouvání naprosto standardní a většinově akceptované napříč politickým spektrem.
Anywho, jsme na Linux portalu a zde maji lide radi casove vetvicky, proto pro prakticky veskerou hudbu obsahujici cokoliv elektronickeho doporucuju Ishkura.
Me osobne se libi vice ty starsi verze, ale like I said...
1) Lord Discogs knows all, except when I know more. 2) Wikipedia knows some, but never as much as me. 3) Social media knows absolutely nothing. About anything. Never get your education from YouTube comments or Facebook memes. Your friends are morons.Word!
-----
Ishkur's Guide to Electronic Music
Search
About
Hi there. I am Ishkur. This is version 3.0 of Ishkur's Guide to Electronic Music.
There is a bit of history to this. The first two versions of the Guide were Flash monstrosities released in 2000 and 2003. They may still be online somewhere if you look hard enough. Version 2.5 was maintained and updated for two years and was abandoned in 2005.
A Flash v3 of the Guide was planned in 2006 but never got past the pre-dev stage. After three design reboots, the abandonment of Flash, and several personal, artistic and technical decisions later, the Guide you are looking at right now was pre-dev'd in 2010. The map and music categorizing was mostly finalized around 2014 (but in some instances still isn't done), programming in 2016, and content, art and functionality in 2017. Compatibility for all devices and formats as well as additional research and extras were added in 2018 and 2019.
Most of my research is offline -- magazines, books, documentaries, record collections, and personal experience. For online resources I loosely followed three laws:
1) Lord Discogs knows all, except when I know more.
2) Wikipedia knows some, but never as much as me.
3) Social media knows absolutely nothing. About anything. Never get your education from YouTube comments or Facebook memes. Your friends are morons.
This guide favors authenticity over accuracy, and it aims to entertain before it informs. It is only as accurate as it feels it needs to be. It is constantly changing and it is infinitely mutable, so the map, the music, and my self-righteous opinions are all subject to change as I discover, investigate, and incorporate new knowledge and more music. Nothing is definitive.
This is an educational resource, not a music sharing service. There are no complete songs here. All tracks are low quality sub-2 minute samples. If you want the music, do the artists a solid and buy it from them through legitimate channels.
How to Use
Frequently Unasked Questions
Preamble
Q: Who are you?
A: I am Ishkur.
Q: What is this?
A: This is Ishkur's Guide to Electronic music.
Any other stupid questions?
Q: Why did you make this?
A: Because educating others and fighting ignorance is one of the noblest activities that anyone can ever engage in. Also, jokes.
Q: Why did this take so long?
A: Scope creep. And I have a life (job/family/friends/better things to do than sit here answering your dumbass questions).
Q: Can I suggest an artist/song/label?
A: You certainly can but I am only interested in music from the "missing" years on this Guide. Don't suggest crap I already have. Use the search feature.
General Questions
Q: What do the colors mean?
A: Nothing. Scenes are colored as a navigational aid.
Q: Are the lines connecting the scenes and genres accurate?
A: Not really. All music is influenced by its contemporaries far more than its own past. Illustrating those relationships, however, would render the map unreadable. Coherence is preferred over accuracy. It is simplified for the user experience.
Q: What's trendwhoring?
A: It's a term I apply to artists, tracks, and sometimes whole genres that whore themselves out to whatever's the current fad or trend in music. If fart noises were suddenly popular, each scene would trendwhore it with fartstep, fartcore, techfart, farthouse, fart trance, etc. It is especially noticeable in classic tracks that are remixed into modern genres, which some might consider sacreligious. A good example is the Dream Trance hit Robert Miles - Children, in which there is now a Hardstyle version, a Dutch House version, a McProg version, a Eurotrance version, a Goa Trance version, and even a Snap version and a shitty Brostep version. None of these genres existed when the original song came out in 1995. That's trendwhoring.
Q: What's a punter?
A: A polite way of saying whore.
Q: What's a whore?
A: Someone with no convictions, standards, integrity or dignity who is willing to sell-out and debase themselves toward whatever's popular or fashionable without regard for worth, quality, or merit. If there is just one thing I hope you take from this guide, it is: Don't be a whore.
Q: Why are there so many links to Discogs? Are you getting paid by them?
A: No. Lord Discogs is the most neutral and objective resource on the Internet for learning more about the Guide's namedrops. That is all.
Q: And Mixcloud?
A: It's just for convenience. I don't like their compression algorithm and I may move my mixes somewhere else.
Q: Is the Electronic Music Genre Standards and Classifications Consortium a real thing?
A: Of course it is. I sit on the Board of Directors.
Q: Who is the most represented artist on this guide?
A: Probably Marc Trauner.
To spread the wealth around this guide has a soft policy of two tracks per alias. So the more aliases you have, the greater your representation.
Q: Why won't you link to YouTube clips?
A: Because YouTube/Google are royal pricks when it comes to DMCA and geolocation restrictions and I don't want to deal with their bullshit.
Guide Gripes
Q: What about the genres on Digitally Imported?
A: What about them?
Q: Why aren't they in the guide?
A: DI's business model and my research into musical taxonomy are two vastly different things.
Q: And Beatport?
A: Beatport can go fuck itself.
Q: I thought you liked/hated [genre].
A: That's the thing about opinions. They're like tattoos -- some of them you'll keep for life but most of them you don't want after awhile.
Q: What's wrong with just letting people like the music they want to like?
A: It's this kind of attitude that allows Michael Bay to keep making movies. If a system is given nothing but a steady supply of unconditional self-affirmation, it will never see an impetus to cure its ills.
Q: I find your [content] on [group of people] offensive and demeaning.
A: Zero fucks given.
Q: Do you have to swear so much?
A: This guide is rated [M] Mature. It is a love letter to underground counter-culture. 90% of the music here is enjoyed by freaks wearing crazy outfits, consuming copious amounts of drugs, and engaging in 3-day sex benders with indeterminate genders. It is not for children. I am not going to sanitize things just so your precious little Jeighden can locate the latest tweenwave ringtone they ripped off Twitch.
Q: [track] is in the wrong place. It should really be in [genre].
A: Make a compelling case for it and I'll consider it (it is possible for some tracks to straddle multiple genres. It is also possible that I made a mistake).
Q: [genre] really belongs in [scene].
A: You should probably read the entire Guide before offering advice of this sort.
Q: Is Schranz ever going to be finished?
A: I don't know what you're talking about. It is finished.
Q: I'd like to talk to you about...
A: I'd prefer it if you didn't.
Q: Have you seen this YouTube video that expla--
A: I don't care.
Q: But Wikipedia says--
A: Wikipedia is wrong.
Q: What genre does [producer] make? And what genre is [track]?
A: Seriously, don't.
Q: You shouldn't use [this track] for [artist]. You should use [that track] instead.
A: Oh piss off.
Q: I found a bug!
A: Please report the bug to me with the following stats: What system/browser/device you are using, the severity of the bug, the reproduceability of the bug, and a detailed explanation of what the bug does. Provide a screenshot if you can.
Q: I found an error!
A: Good for you! The guide isn't perfect, and it will get better over time. So tell me: What error did you find, explain why you think it's wrong, and we'll argue over whether the guide needs revision or not. You will not get credit.
Q: I found an grammar/spelling mistake!
A: Well shit -- that just invalidates everything written in this entire guide, doesn't it?
Q: Why isn't this version in 3D or procedurally generated?
A: Have you ever, in your entire life, encountered a 3D/procedurally generated user interface that wasn't a cumbersome, unintuitive, frustrating pile of unnavigable garbage that did nothing for visual data presentation and only served as a wank engine for some programmer's autistic thought processes?
Q: What do you think about musicmap.info?
A: Unnavigable garbage. And it reads like wallpaper paste.
Q: You forgot about the genre that I produce! Please add it.
A: You need to prove to me that it exists.
By that I mean physical evidence that a vibrant scene and community spends (or has spent) time and money on its existence -- playing it in live settings, wearing swag and speaking lingo, making physical copies and selling it, and patronizing businesses (everything from record labels to retail outlets) that promote the music as part of a subculture. Show me festivals, raves and clubnights caning it every weekend in front of 5-digit audiences.
A dozen amateurs with hacked copies of NI Reaktor sharing Fruitytune samples in a Reddit forum is not a scene nor does the music they're making constitute a genre (or worse yet a YouTube prank). Music communities can not exist solely on the Internet. Throw a party, start a label, get boots on the ground, ticket sales in hands, DJs playing tracks on vinyl, and I might consider it. It's not enough that your music sounds different and unique. Anyone can do that. Demonstrate that there is a community willing to cultivate that unique sound into a scene.
I want to add that I am not against adding new genres. This guide is infinitely scalable. You can name your new sound whatever unique genre you want. What really matters is whether you can get other people to give a shit.
Q: You completely overlooked [artist] and/or [label]. You don't talk about them at all. They were pioneers in [scene] and were instrumental in bringing [genre] to the world and their [track] sold [number] copies and was #1 on [record chart] for [duration]. They were one of the most important [techno/electronica/EDM] musicians in history. Please give them a mention and put more of their music up.
A: No.
Q: [Genre] should really be [more than one] genres.
A: You're probably right and I may do that in the future for some of the "amalgamated" genres. But at the same time I'm not interested in redundancy. No one wants 50 different styles of Psy Trance (not even Psy Trance hippies). This Guide covers the pertinent genres of each scene. Important subgenres and styles are acknowledged and referenced and their music is listed where appropriate. I draw the line at picking the fly shit out of the pepper. Paralysis by analysis is what delayed this guide for so long in the first place.
Personal
Q: Tell me about yourself.
A: On occasion, for no reason whatsoever, and with no genuine latent stimuli input.... I will wake up in the morning with Relm's Theme from Final Fantasy 6 stuck in my head.
Q: How do you know all this?
A: I went to a lot of raves. Insomnia helps too (I can't get no sleep).
Q: What's the cure for insomnia?
A: ASMR.
Fun fact: Typing ASMR or MRSA into Youtube search brings up two vast communities of videos, both fascinating but for opposite reasons.
Q: What literature did you read to learn all this stuff?
A: I have 40 years of back issues of Electronic Music and Keyboard magazine, with an ungodly number of books also collected over the decades. Here's a small sample of my collection:
As for modern literature, a better answer is what I don't read: For starters, any magazine, blog, website, newsletter, flyer, TV show, podcast, record label, chart, press release or bathroom graffiti that uses the acronym "EDM" is complete donkey balls and should not be relied on as a source for anything.
Q: Are you on Reddit? I really want to talk to you about something.
A: No. Reddit is stupid.
Q: Facebook?
A: Hell no.
Q: Instagram?
A: Only narcissistic snobs take pictures of themselves.
Q: Any other social media
A: Twitter, Mixcloud, Soundcloud, and a somewhat defunct YouTube account. If you see me on any other site, it is not me. The less reliant I am on social media, the less affected I am when social media companies inevitably fuck over their users. That's a protip: Never put the fate of your online existence in someone else's hands.
Q: Okay I'll discuss it with you on Twitter then!
A: No. That is the absolute worst place for longform discussion or philosophy. The character limit, the UI, and the discussion tools are completely inappropriate for conversation. But for some reason that's what people keep trying to use it for. I'm not interested.
Q: Any other sites then?
A: You can catch me on Fark on occasion. I rarely talk electronic music there.
Q: What are your top 10 tracks of all time?
A: Lists are for serial killers and middle school girls.
Q: Why do you hate the Dutch?
A: Doesn't everyone?
Q: What's the funniest thing in the world?
A: A penguin, in the middle of Antarctica -- stark desolation for miles around -- slipping on a banana peel.
Q: What makes you the authority on electronic music?
A: You may know some of it more than me, but I know all of it more than you.
Q: So you're saying you don't have any authority?
A: I have as much authority as Urban Dictionary.
25.7.2022 17:17
MMMMMMMMM | skóre: 44
| blog: unstable
| Valašsko :-)
Detroit TechnoJak se to hraje?
gramofon SL-1200 znám i já.
Tiskni
Sdílej:
ISSN 1214-1267, (c) 1999-2007 Stickfish s.r.o.
23.7.2022 18:48
